On Thursday, we went for a visit to Blackpool, where we got the chance to look around the Grundy Gallery at the Illuminations Archive Exhibition, which I found to be fairly interesting and pleasing to the eye. Our tour guide, informed us that there was in fact only one piece in the exhibit which was technically a neon light, with an actual cathode, gas- discharge running through it. That piece was by Tracey Emin and personally I found it to be the most visually interesting in the first room which we went into, however I was more attracted to the light, which was simply a full-stop as I thought it was quite humorous and I didn’t initially notice it, yet it had more of an impact to me compared to everything else.
As you can see above, there is a clear contrast between these two very opposed pieces of work; Tracey Emin’s lights are certainly, visually interesting yet I still like the concept of the full- stop just as much.
As I moved through the gallery, I came across another piece, which really stood out to me and for some unknown reason, I really liked it and I wouldn’t be able to tell you why, apart from the fact it reminded me of a Happy Meal.
KEITH SONNIER- Pictogram II (1980)
After we had finished exploring the gallery, we went to the Blackpool front to capture some images and gather some valuable research for Document The Day. I felt that the deprived area and the masses of Fish and Chip shop’s, could provide me with some rich material.
After having a look through the photos, which I had taken, I created a humorous triptych, which I thought was effective. Unfortunately, the image quality isn’t great but I like the idea of the camera panning out to the last picture, which has a more melancholy tone to it; one wouldn’t know that the Blackpool rock is labelled with offensive words such as “old slapper, big tits” and “pervert”.
Below; are some more photos, which I took from Blackpool and as you can see I came across more neon lights which looked interesting, and in general- LOTS OF LIGHTS!